Women as Boundary Markers Between Islam and Secularism in Julia Kristeva’s Murder in Byzantium (2004) and Elif Şafak’s The Bastard of Istanbul (2006)
Artifice of Love in Edith Wharton’s The Age of Innocence
The Ambivalence of the Turban in Elizabeth Gaskell’s Cranford
Narratives of Korea and Dersim in Erendiz Atasü’s The Other Side of the Mountain
Fin-de-Siècle and Motion Sickness in Florence Marryat’s The Blood of the Vampire
Love as a Contact Zone in Theresa Hak Kyung Cha’s Dictee (1982)
Scheherazade in the Western Palace: Martin Amis’s The Pregnant Widow
Zülfü Livaneli
Legitimacy of Teaching English Composition as a Non-Native Speaker
Cry Babies Challenging the Feminist Myths
Istanblues: The City of Nostalgia
Representations of Istanbul in A. S. Byatt’s “The Djinn in the Nightingale’s Eye”
Margaret Fuller: In and Out of the Borders of the Nineteenth Century
The Dialogical Zone in Hannah Webster Foster’s The Coquette
Istanbulite Women and the City in Elif Şafak’s The Bastard of Istanbul
